![]() Handmade objects are potent receptacles of emotions and memories, infused with human warmth that enliven and enrich the home.Ī look back at the seminal exhibition Objects: USA, and the works displayed whose innovations still resonate.įiber artists past and present have generated works of amazing complexity and conceptual ingenuity. Exhibition themesįrom the personal to the political, craft stimulates important conversations around race, gender, and sexuality.īeginning in the 1950s, artists engaged with traditional craft materials created powerful assertions of materiality and process that attracted museums and collectors alike. Showcasing the diversity and expressive power of the handmade as only MAD can, the exhibition affirms craft as one of the most exciting spaces for experimentation and wonder in art today. The exhibition also casts a fresh eye on craft’s pioneers celebrating Olga de Amaral, Charles Loloma, Patti Warashina, and others who pushed the boundaries of materials and sought more inclusive sources of inspiration. ![]() Each section is punctuated with pivotal and rarely seen works from iconic makers, such as Betty Woodman, Marvin Lipofsky, and Magdalena Abakanowicz. Toward that end, Craft Front & Center is organized into eight themes exploring craft’s impact. With an aim to subvert traditional hierarchies in the arts, the collection advocates for the central role of craft in art and society. The Museum of Arts and Design collection comprises over 3,000 artworks in clay, fiber, glass, metal, and wood, dating from the post-war studio craft movement through to contemporary art and design. Challenging traditional thinking of craft as separate from fine art, the exhibition reveals the field's deep engagement in art’s major movements, such as Abstract Expressionism, Pop Art, and Postmodernism, while also launching its own revolutions, particularly the elevation of women and people of color as significant artists. Assembled from the eclectic richness of MAD’s permanent collection, Craft Front & Center brings together more than 70 iconic and lesser-known works to highlight key thematic touchpoints in craft’s history that have brought us to this moment. Today it is front and center in art galleries, museums, and fairs, widely recognized for its expressive potential and cultural significance. Some crafts, especially in areas such as pottery, woodworking, and various stages of textile production, could be practiced on a part-time basis by those also working in agriculture, and often formed part of village life.Craft was once at the margins of the art world, but no longer. The households of craftsmen were not as self-sufficient as those of people engaged in agricultural work and therefore had to rely on the exchange of goods. The skill required by their professions and the need to be permanently involved in the exchange of goods often demanded a generally higher level of education, and craftsmen were usually in a more privileged position than the peasantry in societal hierarchy. Historically, the more specialized crafts with high-value products tended to concentrate in urban centers and formed guilds. The traditional term craftsman is nowadays often replaced by artisan and by craftsperson. ![]() In a historical sense, particularly the Middle Ages and earlier, the term is usually applied to people occupied in small scale production of goods, or their maintenance, for example by tinkers. A craft or trade is a pastime or an occupation that requires particular skills and knowledge of skilled work.
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